The Cosmological Argument Expressed in the form of Formal Logic

 

The cosmological argument is less a particular argument than an argument type. It uses a general pattern of argumentation (logos) that makes an inference from particular alleged facts about the universe (cosmos) to the existence of a unique being, generally identified with or referred to as God. Among these initial facts are that particular beings or events in the universe are causally dependent or contingent, that the universe (as the totality of contingent things) is contingent in that it could have been other than it is, that the Big Conjunctive Contingent Fact possibly has an explanation, or that the universe came into being. From these facts philosophers infer deductively, inductively, or abductively by inference to the best explanation that a first or sustaining cause, a necessary being, an unmoved mover, or a personal being (God) exists that caused and/or sustains the universe.

The cosmological argument is part of classical natural theology, whose goal is to provide evidence for the claim that God exists.

 
Plato and Aristotle, depicted here in Raphael's The School of Athens, both developed first cause arguments.

Plato and Aristotle, depicted here in Raphael's The School of Athens, both developed first cause arguments.

 
 
Francesco Hayez - The Yorck Project (2002) 10.000 Meisterwerke der Malerei

Francesco Hayez - The Yorck Project (2002) 10.000 Meisterwerke der Malerei

On the one hand, the argument arises from human curiosity as to why there is something rather than nothing or than something else. It invokes a concern for some full, complete, ultimate, or best explanation of what exists contingently. On the other hand, it raises intrinsically important philosophical questions about contingency and necessity, causation and explanation, part/whole relationships (mereology), infinity, sets, the nature of time, and the nature and origin of the universe. In what follows we will first sketch out a very brief history of the argument, note the two basic types of deductive cosmological arguments, and then provide a careful analysis of examples of each: first, two arguments from contingency, one based on a relatively strong version of the principle of sufficient reason and one based on a weak version of that principle; and second, an argument from the alleged fact that the universe had a beginning and the impossibility of an infinite temporal regress of causes. In the end we will consider an inductive version of the cosmological argument and what it is to be a necessary being.

 
 

Metaphysical argument for the existence of God

Duns Scotus, the influential Medieval Christian theologian, created a metaphysical argument for the existence of God. Though it was inspired by Aquinas' argument from motion, he, like other philosophers and theologians, believed that his statement for God's existence could be considered separate to Aquinas'. His explanation for God's existence is long, and can be summarised as follows:[24]

  1. Something can be produced.

  2. It is produced by itself, something or another.

  3. Not by nothing, because nothing causes nothing.

  4. Not by itself, because an effect never causes itself.

  5. Therefore, by another A.

  6. If A is first then we have reached the conclusion.

  7. If A is not first, then we return to 2).

  8. From 3) and 4), we produce another- B. The ascending series is either infinite or finite.

  9. An infinite series is not possible.

  10. Therefore, God exists.

Scotus deals immediately with two objections he can see: first, that there cannot be a first, and second, that the argument falls apart when 1) is questioned. He states that infinite regress is impossible, because it provokes unanswerable questions, like, in modern English, "What is infinity minus infinity?" The second he states can be answered if the question is rephrased using modal logic, meaning that the first statement is instead "It is possible that something can be produced."

 
Between Action and the Unknown: The Art of Kazuo Shiraga and Sadamasa Motonaga

Between Action and the Unknown: The Art of Kazuo Shiraga and Sadamasa Motonaga